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Le
Musée instrumental de la Cité de
la Musique possède les instruments et documents suivants
:
- Clavecin brisé Jean Marius vers 1700 (E.979.2.2)
- Clavecin Gilbert Desruisseaux 1678-1679 (E.979.2.3)
- Epinette verticale (E. 999.1.1)
- Epinette en aile d'oiseau, Richard (Michel II), Paris,1690 (E.978.3.1)
- Collection de plaques de verre et négatifs (correspondant aux clichés de ces pages)
More information, thanks HPSCHD-L , Dean Anderson, facebook ....
Clavecin à trois claviers de Hass : Collection Raphael Puyana
The
Hass instrument is now apparently owned
by Rafael Puyana, who is
seen here performing a Sonata by Scarlatti. Built in 1740, it
has three manuals with couplers, five choirs of strings (1x16', 2x8',
1x4', 1x2') with a separate soundboard for the 16' choir, six rows of
jacks, a lute stop and harp stop for the 16'. This fine instrument well
represents the culmination of the German school. It has since been copied
by Robert Goble & Son, Oxford.
The triple-manual harpsichord signed by Stefano Bolcioni, Florence, 1627 now in Edinburgh : The Raymond Russell Collection of Early Keyboard Instruments
National Museum of american history (Washington, D.C. ) : Benoist Stehlin of Paris in the mid-1700s - d'autres photos ici
The 17th C French instrument is depicted in plate 42 of Russell's _The Harpsicord and Clavichord (1959) _, 2nd ed. As another contributor reported, it is said to have been destroyed in the bombing of Rotterdam in 1940. Interestingly, this harpsichord is said to have had a chromatic compass of FF-c3. Isn't it a little unusual to see 17th C instruments chromatic down to FF?
National Music Museum - The University of South Dakota : NMM 3327. Harpsichord by Jacques Germain, Paris, 1785. Rawlins fund, 1983.
Das
Virginal von Ruckers wurde vom Landesmuseum
Württemberg (Stuttgart) 1976 auf einer
Auktion bei Sotheybys in New York gekauft. Im Sothebys-Verkaufskatalog
ist die Provenienzangabe tatsächlich "Formely in the Collection
of M- & Mme. Salomon, Paris." Leider ist das Instrument nicht
spielbar. Es hatten mehrere Restauratoren Gutachten gestellt, aber von
einer so weitgehenden Restaurierung/Rekonstruktion abgeraten.